The Purge franchise has always had an inherent political vibe to it, but Gerard McMurray and James DeMonaco’s “The First Purge” is a movie that feels like a child misunderstanding political ideologies, choosing to follow the most extreme side on crucial issues such as gun control, the wealth gap, and racial tensions.
I guess we were forewarned with the hat in the poster that resembled something along the lines of "make America great again," but these filmmakers flip-flop between each side of the aisle, attempting to look as if they reside in the middle, only choosing an option that they believe is right. But the choices made are too far extreme for me to think that these filmmakers are middle of the aisle electorates that made a movie to speak out on some vital socio-political issues.
Taking place before all of the other nonsensical movies began, “The First Purge” starts with a psychological interview of sorts with a man named Skeletor (Rotimi Paul), who is an outright junkie. He has cuts on his face, bloody gums, and is being used as the prime example for why this murder night needs to occur. So that he can find a way to outpour his withdrawal frustrations, which then would encourage drug use, drug sales, and somehow lower crime rates?
Nonetheless, news clips of protests circulating the one percent, crime-rates, and low-income communities become evidence for a night of purging the hatred they’ve manifested for the system in which they reside. It begins discussions that were surprising to hear from a franchise that has attempted to be an original philosophically based horror movie, a straight up action movie, and a supposed commentary on the presidential election. The conversations encircling the ideas of low-income, minority-populated communities being the guinea pigs for the rest of America feels somewhat authentic with the amount of racial tensions and believed stereotypes in our current cultural climate, but it all feels like a fear-mongering technique attempting to show us the course of our nation's future.
For those of us who like to maintain a level-head and listen to our oppositions to manifest solutions instead of continuing this cycle of division, these moments will feel painfully obvious, like a hole in the wall is attempting to be hidden with duck tape. The inherent racial targeting of it all sounds believable, acting like an alt-right conservatives wet dream. With an intoxicated political system and the poisoned electorate, power has been given to those ideologies we once deemed as lunacy.
The film does offer some more buyable socio-political commentary by painting its local neighborhood gang boss as someone who stands for the community but has done it in a way that fabricates far more trouble than he intended. Our main character, Nya (Lex Scott Davis), confronts this man, Dmitri (Y’lan Noel), in a scene that discusses how he hurts this community 364 days a year while this purge only affects one day a year. It’s a touching scene speaking on the dangers of choosing a gang lifestyle while displaying the hardships that can influence someone to make that decision.
It goes from that clever screenwriting to a dumb Purge movie on the flip of a coin when we learn that people are actively participating in this sociological and psychological study for a mere five thousand dollars. How bad is our country at this point? Are we in a great depression of sorts or recession? How far down have we gone where five grand is enough of an incentive to kill people?
From there, our movie goes from that rationally leveled mindset to a radical alt-right conservative mindset (not congressional republican, there is a difference between the two) that formulates the importance of the second amendment. It's as if the screenwriter, James DeMonaco, is screaming at you “this is why we need the amendment, to keep the government from killing black people.” It’s so unashamedly alt-right and NRA supportive that it's almost worth a tip of the cap for being so honest.
What’s confusing is how it goes from a level-headed, I’ll be it, left-leaning mindset, to something so ridiculous. The film does the same thing with that of its tone, and it's genre, something that is as indecisive as the screenplay is, going from straight up drama to thriller to horror to an action film. This movie seems to have no idea what it wants to be, flip-flopping with its political philosophies and with its genre, but when the film does allow it's action to take the spotlight, it becomes far more entertaining.v
Our John Wick 2.0 character is the gang leader Dmitri (Y’lan Noel), which is cool and a somewhat good character arc, but how did he become such a mercenary? Was he ever apart of the military? Was he self-trained? It was the one thing that continuously bothered me in this last twenty minutes of action; it was that annoying bit that stuck in my teeth.
However, the film before that was displaying haunting imagery of white extremist groups murdering off large groups of minority-populated neighborhoods. It’s quite disturbing to see something as extreme as this, and know that they are alt-right militia groups preparing for such a thing. Gerard McMurray directs these scenes with such vigor, something he maintains in the action sequences at the end of the film which are handled with intensity and unconventional camera techniques. Holding the camera close to the action, but never obscuring it from the viewer.
All of the performances are equal and satisfactory across the board, with no one standing out more than the other. Although, Mugga provided some laughs and gags that were far more entertaining than the horror intended scenery of these overnight sociopaths.
“The First Purge” corrects that past mistake of the franchise though, showing how people wouldn’t become monsters when giving the green light to become one, but it all remains so ridiculous with it's narrative surrounding something as preposterous as providing legal action to murder, primarily when it's used to satisfy a close-minded argument.
It’s a politically charged film, receiving a politically charged review from both me and most likely many others. It’s has a lot more going for it than the past three films, but it maintains that same clickbait mentality. Trying to make something controversial, so that you have to see it and give it some money. Never delivering something worth a feature-length runtime, feeling better suited for an overfunded Youtube video on someone’s political channel feed.